the trouble with capturing some of these old farmhouses in the winter is that white paint and white snow make for a fairly washed-out image. so, i play and i play and it takes me quite a while to make an actual decision, which i will subsequently rethink multiple times. i chose this version for “once lived” because it represents how the place made me feel the evening i photographed it: that quiet, uneasy, unwelcomeness. that much was probably projection on my part, of course, but between the living and the gone-to-earth, the places people set aside for other things always seem to simultaneously cry out for renewal and shoo visitors away. it’s a strange place, my head, and stranger even more through the lens, sometimes.
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