Tag Archives: edged

production values

I have not been idle; I have actually been quite productive!

In reassembling my catalogues, I was saddened to discover all that the files I burned from last summer’s (2014) trip to Alberta, were unfortunately compromised by the addition of unintended compression. And since I lost the processed RAW and master files from that shoot due the drive failures of early this year, I would actually have to reprocess everything and come up with new production files. This was quite discouraging at first, because it represented a lot of work, especially where the two 180-degree panos were concerned.

However, when I started digging into those photos, as well as others from previous years, the process of reprocessing all these images has somehow managed to become a joy again. While it’s unfortunate that I will have to pull everything out of fineartamerica.com and other places where I sell and replace them with reworked masters, given the improved clarity and less-grainy monochrome processes that I’ve been working with, these revisions have more impact, and since I’m not pressed for time, they can also receive more attention than the originals ever did.

Back last Spring, I think it was, I made a promise to myself to get out and shoot more. That hasn’t happened as much as I would have desired this year, but I think the focus I put onto some other forms of personal improvement were worth the distraction. I did, however, manage to do two things that are important to me: The first is that I (finally) have all my images together in one place and am well towards a standardization of process that improves everything from digital asset management to the quality of the finished works; the second is that I have (also finally) managed to overcome the internal flux that was my love-hate relationship with post-production, and converted it to a simple, joyful love.

The image below is a rework from last summer, originally published under the title “prominence twain” in a couple of versions. Until I remove/redo the contents of the “Grey Mountain” collection, the “darklight” version will remain there, but I believe you’ll find the retitled and reprocessed version below to have more standing.

twisted proximity (passive resistance) © 2014, 2015 Jered Dawnne

twisted proximity (passive resistance) © 2014, 2015 Jered Dawnne

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caffeine tragedy

it wanders like the snow (caffeine tragedy) © 2003, 2015 Jered Dawnne

it wanders like the snow (caffeine tragedy) © 2003, 2015 Jered Dawnne

one of the ones i skipped, back in the day. i was shooting hand-held, and the light wind was just a little gusty and at an angle which caused the flower to move in odd ways, so some of the blur is natural. what you’re looking at was originally a bright, orange little flower, after the application of nearly a dozen separate processes. these lower-resolution versions inherit a certain patterning in the grain as a result of compression from the WordPress upload system. it’s actually an interesting effect, to me.

i have several photographs of flowers from this week back in 2003, when we had a series of afternoon showers in relative frequency. flowers don’t talk back, but they never really hold still, either. and i’m just not one to do the outdoor lightbox thing. oh well 😉

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coronal mass (spectral)

coronal mass (spectral) © 2003, 2015 Jered Dawnne

coronal mass (spectral) © 2003, 2015 Jered Dawnne: a rose with a bit of rain water at the edges

i used to take the time to tend to small things
a used-to thing, a has-been thing
maybe not so much an is-now thing
but perhaps someday a could-be thing

i used to take the time to tend to small things
to see the spaces between the shadows
beneath the undersides of leaves
and in the luminance of the breeze

i need to take the time to tend to small things
a should-be thing, a must-be thing
and let it not be a could’ve-been thing
nor perhaps someday a should’ve-been thing

i need to take the time to tend to small things
to walk again between the shadows
beneath the undersides of leaves
and in the luminance of the breeze

=================
because questionably meaningful poetry on my birthday, that’s why

© 2015 Jered Dawnne

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